In the world of music, there are plenty of clichés. There is perhaps none more predictable and common than the cliché which laments the death of music as we once knew it, and that which, more specifically, mourns the death of the album as an art form. It seems that no matter where you go on the internet, there will always be someone somewhere proclaiming that music “isn’t what it used to be” and that the album is dead in the water. But is this really the case? Is it true that, firstly, the album is actually becoming a dying art form? If so, what are the reasons behind this decline?
Did you think vegan food meant side salad and chips? You thought wrong.
When it comes to fashion, the people with the most outreach (besides models and designers) are surely the editors-in-chief, especially when their names are associated with the timelessness of Vogue. However, when it comes to the general public, only a few names ring a bell in terms of fashion editors. These include American Vogue editor-in-chief Anna Wintour and former Italian Vogue head Franca Sozzani. Why is it that no other senior figures at Vogue have been able to build such a global name for themselves? Will Edward Enninful be the new fashion icon when it comes to editor-in-chiefs?
developed in the late 1980s, has origins in Jamaican reggae and dancehall, and is known for its tough lyrics which often provide social commentary on topics such as poverty, unemployment, and substance abuse.
With the recent easing of lockdown restrictions in the UK, I have been itching to venture into a bookshop for a browse, and Zadie Smith’s Intimations was one of the first books I picked up.
The third and final instalment of Kid Cudi’s Man on the Moon series evokes feelings that are more complex than just nostalgia. It is about how we simultaneously influence and are affected by human creativity and the power of our local and global community to help guide us out of the darkest, dustiest corners of our mental confines.
Against my better judgement I bought into the “So long, 2020!” hype. Why not? 2020 sucked and, despite there being no evidence that it would be otherwise, it was nice to think 2021 wouldn’t.
Growing up in the ‘90s, girls were told we could be one of two things — a feminine Barbie-playing princess or a football-playing-sneaker-wearing tomboy. There was no middle ground. We were raised on a strong diet of American influenced pop-culture, which emphasised high school hierarchies, boy-girl relationship drama and the notion of equating ‘happily ever after’ to having a boyfriend
The unifying ability of music, to reach out and connect people across the word, allowing for individual expression while revealing a common reliance, has become especially vital as of late. As music is used as a way to deter reality, the differences in songs played by everyone within this hard time seem an interesting shorthand to get a glimpse into someone’s life.
2020 has definitely had its fair share of unprecedented moments, but what about those of the fashion industry?